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Compositions List


Compositions List: this webpage covers the complete Compositions List written by composer Katerina Stamatelos. A list of recordings is also included.


Compositions List: Works Written 2009-2010.


"THAWST III", op.25: composed for Charango and guitar quartet (2009). Composition commissioned by: Mauricio Opazo Munoz.

"BlueMoons", op.24: for solo guitar (2009). Composition commissioned by: Adam Khan. Duration: 10 minutes.

"THAWST IV", op.23: composed for marimba and violin (2010).Duration: 10 minutes.Composition commissioned by: Sylvia Constantinidis.Premiere information: Performers: members of the "Omorfia" Ensemble.Ensemble Conductor: Sylvia Constantinidis."FLAMINGO" International New Music Festival 2010.Steinway Hall, The Collection Building, Coral Gables, FL, May 28, 2010.

THAWST IV-score.

"THAWST I", op.22: composed for flute, guitar, and violoncello (2009).Duration: 10 minutes.Composition commissioned by: the Nova Camara Trio.Fabricio Mattos, guitar; Fabricio Ribeiro, flute; Thomas Juksch, violoncello.

"LOVE And TERROR", op. 21: composed for baritone and piano (2009).A song cycle based on five poems by Constantin Cavafy.Duration: 14 minutes.Composition commissioned by: John Muriello and David Gompper.Premiere information: John Muriello, baritone; David Gompper, piano.Drake University, Des Moines, IA, March 3, 2010.Second performance: Riverside Recital Hall, The University of Iowa, Iowa City, IA, March 6, 2010.

"THAWST II", op.20: composed for saxophone quartet.Duration: 10 minutes.Composition commissioned by: the "Macedonian Saxophone Quartet" of Thessaloniki, Greece.Premiere information: The American University Saxophone Quartet. Emily Warden, soprano; Helen West, alto; William Kammerer, tenor; Alex Mensing, baritone.Dr. Noah Getz, Ensemble Director.International Saxophone Symposium, George Mason University, January 15, 2010.

THAWST II-score.

"Ro-to-Si I", op.19: composed for violin solo (2009).Duration: ca. 7 minutes.Composition commissioned by: Marco Fusi.Premiere information: Marco Fusi, violin.SoundSCAPE Festival 2009, Pavia, Italy, July 16, 2009.

Ro-to-Si I-score.

"RedMoons", op.18: composed for solo guitar (2009).Duration: 4 minutes and 30 seconds.Composition commissioned by: Luis Viramontes.

RedMoons-score.


Compositions List: Works Written 2000-2007


"METAMORFA II", op.17: composed for solo clarinet (2007).Duration: 5 minutes.Composition commissioned by: Maurita Murphy Mead.

"METAMORFA I", op. 16: composed for solo bassoon (2005). Duration: 5 minutes. Composition commissioned by: Benjamin Coelho. Premiere information: Benjamin Coelho, bassoon. Midwest Composers’ Symposium 2006, Smith Recital Hall, University of Illinois at Urbana-Champaign, IL, February 25, 2006.

Metamorfa I: Sound File

"PROJECTIONS-SPLIT", op.15, a composition for large orchestra (2003).Duration: 15 minutes.Orchestration: 3-2(+1)-2(+1)-2(+1)-6-4-4-2-P(5)-1ph-Strings.

CANTATA "The Insane Mother", op.14: composed for soprano, mezzo-soprano, baritone, solo contrabass, female chorus of thirteen, 3 flutes, 5 percussionists, 3 string quartets, and 4 contrabasses (2006).Lyrics: Dionysios Solomos.Duration: 26 minutes.Composition dedication: to the memory of my father, Napoleon Stamatelos.Premiere information: Suzan Sondrol-Jones, soprano; Katherine Eberle, mezzo-soprano; Stephen Swanson, baritone; Kyle Gassiot, solo contrabass. The University of Iowa Chamber Orchestra, William LaRue Jones conductor, Clapp Recital Hall, The University of Iowa School of Music, Iowa City, IA, April 8, 2001.


Compositions List: Works Written 1996-1999


"SONGS AND PRAYERS OF THE ABYSS", OP.13: composed for mezzo-soprano, brass quintet, and 9 percussionists (1999).Lyrics: Katerina Stamatelos.Duration: 17 minutes.Composition commissioned by: Marcia Roberts.Premiere information: Marcia Roberts, mezzo-soprano; The Old Capitol Brass Quintet; The University of Iowa Percussion Ensemble (40th Anniversary season), Dan Moore conductor. Clapp Recital Hall, The University of Iowa School of Music, Iowa City, IA, December 3, 1999.

"STRING QUARTET, No.1", op.12 (1999).Duration: 23 minutes.Premiere information: Miki Yuasa, violin I; Stephen Shepherd, violin II; Sarah Prahl, viola; James Ellis, violoncello; James Mothersbaugh, conductor. Composers’ Work- shop Concert, Clapp Recital Hall, The University of Iowa School of Music, Iowa City, IA, February 21, 1999.

String Quartet: Sound File

"NANARISMA", op.11: composed for mezzo-soprano, flute, and percussion (1999).Lyrics: Aristotelis Valaoritis.Duration: 10 minutes.Composition commissioned by: Katherine Eberle.Premiere information: Katherine Eberle, mezzo-soprano; Tadeu Coelho, Flute; Dan Moore, percussion. Faculty Recital Series, Clapp Recital Hall, The University of Iowa School of Music, Iowa City, IA, March 26, 1999.

"WE WHO WOULD BE GREAT AND KIND", op.10: a composition for soprano-coloratura, mezzo-soprano, and ensemble (1998).Lyrics: Cecile Goding.Duration: 6 minutes.Premiere information: Emily Truckenbrod, soprano-coloratura; Rachel Andrews, mezzo-soprano; Heather Webb & Joao Baptista Sartor, alto flute and piccolo flute; Sarah Leavengood & Anton Hatwich, contrabasses; Pat Anderson, Joe Bohling, Jonathan Crawford, Scott Morgan, percussion; Sergio Espinoza, conductor.Words and Music Concert, Clapp Recital Hall, The University of Iowa School of Music, Iowa City, IA, April 19, 1998.

"ORACLE", op.9: composed for mezzo-soprano and ensemble (1998).Lyrics: Katerina Stamatelos.Duration: 9 minutes.Composition commissioned by: Katherine Eberle.Premiere information: Katherine Eberle, mezzo-soprano; Maria Delgado, Thea Engelson, Danielle Hurt, Margaret Lanning, Emily Truckenbrod, Jennifer Valle, sopranos; Michael Flynt, trumpet. String quartet I: Sarah Young, violin I; Miki Yuasa, violin II; Sarah Prahl, viola; David Arato, violoncello. String quartet II: Quentin Arnold, violin I; Pamela Meier, violin II; Luiz Lange, viola; James Ellis, violoncello. Pat Anderson, Jonathan Crawford, percussion; Melanie Jacobson, chorus coach; Sergio Espinoza, conductor.Words and Music Concert, Clapp Recital Hall, The University of Iowa School of Music, Iowa City, IA, April 19, 1998.

"NOCTURN No.2", op.8b: composed for violoncello and piano (1997).Duration: 6 minutes.Composition commissioned by James Ellis.Premiere information: James Ellis, violoncello; Katerina Stamatelos, piano.Composers’ Workshop Concert, Harper Hall, The University of Iowa School of Music, Iowa City, IA, April 28, 1997.

Nocturn No.2: Sound File

"NOCTURN No.1", op.8a: composed for violoncello and piano (1996).Duration: 6 minutes.Composition commissioned by: James Ellis.Premiere information: James Ellis, violoncello; Katerina Stamatelos, piano.Composers’ Workshop Concert, Clapp Recital Hall, The University of Iowa School of Music, Iowa City, IA, November 24, 1996.

Nocturn No.1: World Premiere Information, Program Notes, Analysis, and Sound File.

"THRENOS", op.7: a composition for soprano, flute, and electronic tape (1997).Lyrics: excerpts from Sophocles’ “Antigone”.Duration: 8 minutes.Premiere information: Emily Truckenbrod, soprano; Heather Webb, flute.New Works from the Electronic Studios Concert, Clapp Recital Hall, The University of Iowa School of Music, Iowa City, IA, May 6, 1997.

Threnos: Sound File

"MOODS", op.6: a composition for electronic tape (1996).Duration: ca. 4 minutes.Trumpet samples: Michael Flynt.Premiere information: New Works from the Electronic Music Studios Concert, Clapp Recital Hall, The University of Iowa School of Music, Iowa City, IA, December 10, 1996.

Moods: Sound File

"FOUR LOVE SONGS", op. 5: a composition for soprano and piano (1997).Lyrics: Katerina Stamatelos.Duration: 9 minutes.Premiere information: Karin Laine, soprano; Katerina Stamatelos, piano.Composers’ Workshop Concert, Clapp Recital Hall, The University of Iowa, School of Music, Iowa City, IA, February 23, 1997.


Compositions List: Works Written 1992-1994

"VARIATIONS AND INVOCATION UPON A 'Kyrie Eleison' AND AN 'Anathema' ", op.4 (1994).A composition for piano solo. Duration: 10 minutes.In memoriam Bela Bartók.Premiere information: Katerina Stamatelos, piano.Composers’ Workshop Concert, Clapp Recital Hall, The University of Iowa School of Music, Iowa City, IA, October 13, 1996.

"DAEMON SONGS", op.3: composed for baritone and piano (1994).Lyrics: Katerina Stamatelos.Duration: 18 minutes.Composition commissioned by: Harald Becker.Premiere information: Harald Becker, baritone; Katerina Stamatelos, piano.A recital organized and televised by the Vafopoulion Cultural Center and the Municipality of the city of Thessalonki. Theatre of the Vafopoulion Cultural Center, Thessaloniki, Greece, June 7, 1995.

"MARTYRIA", op.2: composed for mezzo-soprano, choir and percussion (1992).Lyrics: free adaptations of biblical texts.Duration: 13 minutes.Composition commissioned by: Harald Becker.Premiere information: Thalia Mavridou, mezzo-soprano; choir of the German School of Thessaloniki; Vicky Houzouri, Vicky Tsouka, Georgia Tenta, George Kolidaris, percussion; Harald Becker, conductor.Concert Hall of the Aristotle University of Thessaloniki, Thessaloniki, Greece, April 10, 1995.


Chamber Music Compositions List.
Compositions Written for Orchestra.
Compositions Written for Solo Instruments.
Vocal Music Compositions List.

A List of Performers of Katerina Stamatelos' Music.

Commissioning A Composition.

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